... Blues Lexicon, pp. 101–102 (Item E110). Hall, Bob. “Wilborn, Nelson ('Red Nelson,' 'Dirty Red'),” in Encyclopedia of the Blues ... A.C. REED (Aaron Corthen Reed) BR243. BR244. BR245. BR246. BR247. BR248. BR249. BR250. BR251. Danchin, ...
... blues of- fered a unique combination of violin, Hawaiian steel, and guitar. A. C. was adept at the harmonica and bass, often playing both instruments simultaneously, and the Robinson brothers were backed from the beginning by drummer ...
... A. C. Bruce , T. Cole , J. Mann - 7809-10 8228-31 , 8532-4 Cabstands , Sir A. C. Bruce , H. Bantick , Sir R. Hunter · 7689-7691 , 8194-9 , 21210-11 · 20636 14443 Cellar flaps , W. Ivey Concentration of traffic at particu- lar points ...
... A. C. Bruce , T. Cole , 1 J. Mann 7809-10 8228-31 , 8532-4 Cabstands , Sir A. C. Bruce , H. Bantick , Sir R. Hunter 7689-7691 , 8194-9 , 21210-11 20636 - 14443 Cellar flaps , W. Ivey Concentration of traffic at particu- lar points ...
... A. C. REED A. C. Reed, v / Earl Hooker, g lJohnny “Big Moose” Walker, org / Earnest Johnson, b/ Bobby Little, (1 / The Earlettes, v. Chicago, Illinois e Universal Studios e c. mid to late 1962 2643? Crying Blues Age unissued, Charly CRB ...
... A. C. Bruce Trafalgar Square , W.C .: Land and easements purchased at , for station by Underground Electric Railway Company of London , Ltd. , E. Speyer 814a Oinnibuses : Traffic returns , E. Harper 147 , 148 Worked by L.C.C. in ...
... ac ex certa sciencia , et mero motu nostris , dedimus et concessimus , ac per presentes , pro nobis , heredibus , et successoribus nostris , damus et con- cedimus , quantum in nobis est , prefat ' majori et burgensibus burgi nostri de ...
... AC a week from Friday,” he said, a hand over his eyes like a visor. “You should come.” The AC was the Athletic Club, a ramshackle club house on the outskirts of town where members, only men, gathered to drink, shoot the breeze, and ...
... A C are pretty active and work just as well, but are more melodic. When a solo is three choruses or longer, you better keep chorus forms in mind. A B C is also great for the climax of the solo, where melody takes a back seat to emotion ...
... A.C. and Snapper slid down to the back of the car, where I was, and together we tried to open the back door of the car. Normally the door slid sideways, but at this angle it needed to be pushed upward and to the right to open. We fought ...